SBS Punjabi Radio Interview-05/09/2019
Listen to the radio interview in Punjabi or read the article in the link below …..
https://www.sbs.com.au/language/english/audio/faceless-women-canberra-artist-explores-culture-and-identity-in-award-winning-work
Radio interview and article in Punjabi
https://www.sbs.com.au/language/punjabi/audio/aasttreeliiaa-vihc-dhnn-kaur-dii-phulkaarii-dee-nveen-maainee-tlaash-rhii-hai-ih-inaam
Solo Exhibition
CHATTELl at The Link- Ginninderry
June 2019
ARTIST TALK: 16th June 2019
11:30 am at The Link-Ginninderry
MORE INFORMATION:
https://ginninderry.com/event/inspire-series-featuring-amardeep-shergill/
https://ginninderry.com/event/chattel-exhibition-amardeep-shergill/
ART NOT APART (2019)
SOUL AND MORTAR
Re-intrepretation of Dhan Kaur’s Phulkari, exhibited at Soul and Mortar 2019.
Amardeep Shergill at Art Not Apart 2019
https://artnotapart.com/artist/2019/amardeep-shergill/
EASS AWARD- SOLO EXHIBITION
PROCESSIONS (2018)
Assimilate- Green and Gold Phulkari
Article by Riot ACT
‘Occupying the Liminal Space between Cultures’ https://the-riotact.com/occupying-the-liminal-space-between-cultures/273216
Review by Helen Musa
https://citynews.com.au/2018/arts-shawl-inspires-contemporary-art-work/
Tuggernong Arts Center
Artshub website
Art Guide
Kalamandir
EASS AWARD- SOLO EXHIBITION
TRANSIT (2018)
Belconnen Community Services https://www.bcsact.com.au/springboard-a-cultural-collage/
1. Ellora above Niesen with Solothurn swans,2018
Digital print, 70cm x 50cm
Liminal Mindscapes (2017)
Interview in BMA magazine
https://bmamag.com/2017/07/16/amandeep-kaur/
City News
https://citynews.com.au/2017/arts-whats-canberra-weekend-35/
Liminal Mindscapes
Contemporary Art Awards 2018
Review by Annette Ong 2018
https://docs.wixstatic.com/ugd/866d6d_76ae795a31c8420b9dd154281d8060fe.pdf
Winner of 2018 Highly commended Award (Contemporary Art Awards)
“A RARE exhibition opening today (November 1) at Tuggeranong Arts Centre draws on an artist’s cultural heritage to create new fine art.”
Review by Helen Musa ”
“By experimentng with digital photomontages, Kaur’s work suggests the influence of modernisation and technology on the urban setting and how it provokes liminal spaces. Within these spaces, connections to the predominant culture are made. When these connections fail, it may lead to a sense of alienation and isolation, as illustrated by the faceless woman.”
By Annette Ong”